His work is inclusive of many emotions and, one would say, desires. These children aren’t tots; rather they are on the cusp of adolescence. They haven’t yet become aware of the power of their sexuality, with the innocent flip of a hem or translucence of a blouse. Morton’s dolls are ripe with flirtation, of possibility, and yet, still children, unaware. Yet the viewer is quite aware. It is almost as if Morton Bartlett has made to viewer carry the burden of his shame; our viewing his absolution.

All photos from the
Julie Saul Gallery
Julie Saul Gallery


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